Dutch 1883-1931 Dutch painter, architect, designer and writer. He was officially registered as the son of Wilhelm Kepper and Henrietta Catharina Margadant, but he was so convinced that his mother second husband, Theodorus Doesburg, was his father that he took his name. Little is known of his early life, but he began painting naturalistic subjects c. 1899. In 1903 he began his military service, and around the same time he met his first wife, Agnita Feis, a Theosophist and poet. Between about 1908 and 1910, much influenced by the work of Honor Daumier, he produced caricatures, some of which were later published in his first book De maskers af! (1916). Also during this period he painted some Impressionist-inspired landscapes and portraits in the manner of George Hendrik Breitner. Between 1914 and 1915 the influence of Kandinsky became clear in such drawings as Streetmusic I and Streetmusic II (The Hague, Rijksdienst Beeld. Kst) and other abstract works.  Related Paintings of Theo van Doesburg :. | Female nude with Hand on Her Head | The Spiritual Body | Zelfportret met hoed | Theo van Doesburg. Straatmuziek II | Straatmuziek I |
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BATONI, Pompeo
Italian Rococo Era Painter, 1708-1787 He was born in Lucca, the son of a goldsmith, Paolino Batoni. He moved to Rome in 1727, and apprenticed with Agostino Masucci, Sebastiano Conca and/or Francesco Imperiale (1679-1740). By the early 1740s, however, he started to receive independent commissions. In 1741, he was inducted into the Accademia di San Luca. His celebrated painting, The Ecstasy of Saint Catherine of Siena (1743) illustrates his academic refinement of the late-Baroque style. Another masterpiece, his Fall of Simon Magus was painted initially for the St Peter's Basilica. Batoni became a highly-fashionable painter in Rome, particularly after his rival, the proto-neoclassicist Anton Raphael Mengs, departed for Spain in 1761. Batoni befriended Winckelmann and, like him, aimed in his painting to the restrained classicism of painters from earlier centuries, such as Raphael and Poussin, rather than to the work of the Venetian artists then in vogue. He was greatly in demand for portraits, particularly by the British traveling through Rome , who took pleasure in commissioning standing portraits set in the milieu of antiquities, ruins, and works of art. There are records of over 200 portraits by Batoni of visiting British patrons . Such "Grand Tour" portraits by Batoni came to proliferate in the British private collections, thus ensuring the genre's popularity in the United Kingdom, where Sir Joshua Reynolds would become its leading practitioner. In 1760, the painter Benjamin West, while visiting Rome would complain that Italian artists "talked of nothing, looked at nothing but the works of Pompeo Batoni". In 1769, the double portrait of Joseph II and Leopold II won an Austrian nobility for Batoni. He also portrayed Pope Pius VI. According to a rumor, he bequeathed his palette and brushes to Jacques-Louis David.
Duccio
1255-c1319 Italian Duccio Location Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
Agostino Carracci
(16 August 1557 ?C 22 March 1602) was an Italian painter and printmaker. He was the brother of the more famous Annibale and cousin of Lodovico Carracci. He posited the ideal in nature, and was the founder of the competing school to the more gritty (for lack of a better term) view of nature as expressed by Caravaggio. He was one of the founders of the Accademia degli Incamminati along with his brother, Annibale Carracci, and cousin, Ludovico Carracci. The academy helped propel painters of the School of Bologna to prominence. Agostino Carracci was born in Bologna, and trained at the workshop of the architect Domenico Tibaldi. Starting from 1574 he worked as a reproductive engraver, copying works of 16th century masters such as Federico Barocci, Tintoretto, Antonio Campi, Veronese and Correggio. He also produced some original prints, including two etchings. He travelled to Venice (1582, 1587?C1589) and Parma (1586?C1587). Together with Annibale and Ludovico he worked in Bologna on the fresco cycles in Palazzo Fava (Histories of Jason and Medea, 1584) and Palazzo Magnani (Histories of Romulus, 1590?C1592). In 1592 he also painted the Communion of St. Jerome, now in the Pinacoteca di Bologna and considered his masterwork. From 1586 is his altarpiece of the Madonna with Child and Saints, in the National Gallery of Parma. In 1598 Carracci joined his brother Annibale in Rome, to collaborate on the decoration of the Gallery in Palazzo Farnese. From 1598?C1600 is a triple Portrait, now in Naples, an example of genre painting. In 1600 he was called to Parma by Duke Ranuccio I Farnese to began the decoration of the Palazzo del Giardino, but he died before it was finished. Agostino's son Antonio Carracci was also a painter, and attempted to compete with his father's Academy.